Wilke, John Hoyt, Tony CurtisUNCREDITED:Ted de Corsia, Roy Engel, Robert Fuller,Joe Gold, Brad Harris, Irvin 'Zabo' Koszewski,Gordon Mitchell, Robert Stevenson,Bill Raisch, (the 'One-Armed Man' of The Fugitive (1963) fame) and Richard Farnsworth (also stunts) Also special thanks to Anthony Hopkins who re-dubbed Laurence Olivier's lines in the 1991 restoration versionThis film is often mistakenly credited as the film debut (uncredited) of George Kennedy. These problems are all larger in the case of a more prolific author.Ĭo-starring:Peter Ustinov, John Gavin, Nina Foch,John Ireland, Herbert Lom, John Dall,Charles McGraw, Harold J. Another problem, in the Alphabetical bibliography page, the expanded version is hidden completely. One problem with this, it can hid on the author's biblio page, the dates when the expanded or revised version was created, if the vt is given the same date as the original (as the help seems to call for, although it was not done that way in this case. Another editor has now made this a variant, and in the process the note has been reduced to the single word 'expanded' in the title. This note would have been ripe for expansion by an editor who actually had physical possession of both editions. Instead I added a note indicating the relationship. Perhaps we can come to some kind of agreement on this one issue.-swfritter 22:08, (CST)Īn example: When I added the record for The Languages of Tolkien's Middle-Earth I very carefully did not mark it as a variant of The Languages of Middle-Earth, because it is a significant expansion.

It makes sense to me to use the more fully qualified signature. Virgil Finlay for instance almost always signs his full name but is often credited as Finlay - same with Freas/Kelly Freas. One of them concerned situations where an artist is editorially credited only by last name but signs a fuller version of his name in a legible manner. One of my recent posts included a number of topics.

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